9 February 2009. A day's progress, milky sun, cloud or two, with bank of gray to the west...
Adrián Gorelik, from Buenos Aires...the Riachuelo revisited, a social document embedded in the landscape of the past... The Genovese, los zeneizes, playing tonight en la Bonbonera...while Adrián's tall form bends forward over sleek screen in a small Berkeley room high on the eighth floor, each click revealing "una atmósfera de fracaso..." The history a failed dream. Smoky waters in a thousand tones of gray, the forged iron bridges, derelict, set against a weighted sky...
Mataderos, Parque Patricios--the dark remnants of la barbarie, balancing Palermo, the legacy of Rosas to the north. City unfolding, as encouraged by Torquato de Alvear, el turismo, viente por ciento, with the canvasses of Cunsolo and Quinquela Martín... "Lo pintoresco y la modernidad..."
He gets up on a trick knee, stumbling slightly en route to the screen, to point out a detail with his hand--his antiochos, that is--a narrow and well-thought-out pair, held precisely in the scholar's hand--sudden golden orb on white expanse of light....
To show the world. "Siempre podía caminar por alla; ahora no..." Caminar. Must needs change...
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