Monday, December 21, 2009

Analect 2.624x



21 December 2009. Rainy morning, King Pool. Gray skies with flurries of wet. Low-rider changing rooms, dank and dim, with the same worn green poly-mesh clothes bags hanging from their skewed wires. Empty benches, puddled floor, a gym bag or two, someone's shoes tucked underneath, and the winding hallway to the deck, with snatches of Moroccan sounds en route--and there, the regulars. Yassir, for one, his sculpted beard now a little gray, directing traffic as of old. "Here, you swim in this lane, pointing. Two will be out soon..." Memories of that commanding diction--and the morning, late summer, nine years ago, with word of two buildings in flame. Same room, radio voices--Larry Bensky, coughing in an unexpected way...

I look into his face--the same warm smile, regaining time. "The same good eyes..."

Friday, December 18, 2009

Analect 2.623x



18 December 2009. Warm winter sun, unseasonable delight. Santa hats, t-shirts and smiles...

Weather for the birds, as one can see. A collation of little ones--house sparrow and finch, with the obligatory pidgeon. Cooing strut--city gait. Tiny violin case with miniature Chicago-style submachine gun (Al Capon--a terrible fate--a terrible pun)--while here, simply the partially puffed chest of an everyday egotist. Not so, research tells us--all behavior has a purpose, ontogeny recapitulating phylogeny, at a very swift clip--round the last turn now, they're neck in neck--it's Fritz by a nose...

Die welträtsel, some would say...

Wednesday, December 16, 2009

Analect2 2.622x



16 December 2009. Two tigers loose in the house, one curled on a pillow, the other on freshly washed pile of blankets and towels. Winter poses, while outside, the steady rain, a nondescript mist of gray, home to house finch and mouse...

Signs of life along the street--wet camphor leaves, blue-gray light...airbrakes of recycling truck, careening around corner. Two faces behind blurry glass...

Fifth night--a home to all...

Analect 2.621x



15 December 2009. Even gray sky--single disk of gaberdine cloud with illumined edges, high over dark 7-eleven roof, broken arc of white just alongside. Glowing winter sun...

Full stop, then a beginning. As with a sentence--each linked set of words. A party tray--Harry and David, those Oregon gents with their apples and cheeses and pears, sent from afar in heavy boxes, nestled in excelsior. Channukah lights, fourth night...

A menorah of plain wood--from the garage in Oceanside, 2x4 with line of eight roofing nails. One for the shammus candle, too--tapped in a little higher...

The rock dove...

Monday, December 14, 2009

Analect 2.620x



4 December 2009. Sunny winter's morning, red-gold leaves mushed in the rain gutters, faces with smiles...

Zampanò e'arrivato...somewhere around 1954, rolling into town on that ancient motorcycle contraption. A touring show--Gelsomina's trumpet-plaint--and her unforgettable upturned eyes, all innocence and doubt...

Chains around his chest, a blanket for a cape, fiece look but strangely delicate shoulders, Anthony Quinn strides out before the crowd. Townsfolk--riffraff and loungers, children, too--until the sound of a car, just off camera, begins to build, gaining speed, and at the moment it passes--paaaaam--the links are parted...

La Strada...

Friday, November 27, 2009

Analect 2.619x



27 November 2009. Rain on the streets, rolling clouds, gray...

Yesterday: Delta roads, filtered sun. Field of sheep, their gray shapes, grazing. Coyote running along furrows of yellow husks, stopping, looking back, then running again... Sandhill cranes in Mokolumne backwaters--flooded fields of Staten Island. Their projected voices from afar, at first unseen--two sharper sounds, then a rumbly gobble. Same from high above... "They come all the way from Siberia..." I remain skeptical--half way round the globe? "The Bering Sea..." Home waters in Delta fields, winter light...

The killdeer and a piebald grebe...

Wednesday, November 25, 2009

Analect 2.618x



25 November 2009. Pale sky over dark hills, early. Swimmers in yellow-lit pool, flip turns and splash... Woman's form alongside, breathing, jumping in feet first...

Water bird and ling cod, eel grass in dark green sea. "Rocky, marine sub-tidal areas--in crevices and overhangs..." 

The shape of the guitar--imagined again for its ins and outs--a viguela, tauter at the waist, with six sets of double strings. De los tiempos de la corte de Carlos V...

Trovadores--cormorant and dove...

Tuesday, November 24, 2009

Analect 2.617x



24 November 2009. Slanting sunlight, east wind from over the hills. Water bird, high above, wings churning...

Borges, in a field of trees. Eyes with a touch of white below each pupil--sanpaku--a question of sight. Into a certain distance, that is--his world of English nouns and Elohist plurals--alternative names for visions of the Divine--distinctions gathered from arcane traditions, rewoven "bajo la luz del Sur..." Also--an impatience with sentiment--with the exception of what might be deemed a determined starkness--as if the world could be summed up in telling bas relief...

Buscando lo criollo...

Monday, November 23, 2009

Analect 2.616x



23 November 2009. Crisp sun, chilly gold ripples on blue pool. Swimmers with arms held in close to their sides, scurrying for the warm showers...

Or, a beach in Santa Monica, 1963. Fred Price (violin) and Roscoe Holcomb, his banjoe at the ready, angular face, perpetual upright stance... Southern mountain hat and stiff gaberdines. Here for their appearance with Clarence Ashley and Doc Watson at the Ashgrove, on Melrose. The old days. Tradition and bohemia in gentle collision, by the edge of an unknown sea...

Friday, November 20, 2009

Analect 2.615x



20 November 2009. Clear to east, high storm cloud wall coming in from the west...

Cold November mornings, closely trimmed head of Eritrean man behind counter in 7-eleven--shades of brown and gray. An immigrant's smile. School kids piling off city bus--arriving from who knows where...

A backyard garden--personal victories of a sort. Rutabega and chard, millet, a few Idaho potatoes. Miniscule harvest in the blowing rain...

Thursday, November 19, 2009

Analect 2.614x



14 November 2009. Late fall, red leaves--colors of the earth, worn round the arm... Adam, adamah...

A truth in sadness--the bending bow. Judgments and conclusions of human kind--with all reasons invented after the fact. The world as plan. But no...becoming instead one grand river of delight--moments of challenge, love, tenderness--the feel of a cheek, a mother's breath. Two young birds, side by side, beginning anew...

Ongoing...

Wednesday, November 18, 2009

Analect 2.613x



18 November 2009. Awakening to clear skies, after yesterday's drizzly rain. A few cold nights in the woods--manzanita and madrone, white pine, fir. Home fires in a black cast iron stove, meandering flame through tempered glass. "Water is more beautiful than fire..." An assertion, even as we sit transfixed by the warmth, the snakey light... Outside--the Leonids, sparse... The Pleiades...

En route--a market in Cloverdale, hidden away on a frontage road. Spanish surname over the door, tall man with awkward teeth standing just in front, conversing with a friend. Their postures--from afar. Music inside--corridos--and a young girl at rotating counter, her shoulders bare, bright eyes...

Leaving for home: wild turkey in brush at side of cabin road--a mother and two offspring--their careful one-after-the-other steps, backward glances, disappearing in the gray rain...

Thursday, November 12, 2009

Analect2.612x



12 November 2009. Clear with bright sun. Emery high on his stand, black balaclava pulled snug--an ageing terrorist of the lifeguard line.

Gaucho indumentaria. A history of clothing--but, of course, it's more than that. The tellingness of gesture--la chinita, for instance--homespun skirt at once graceful and plain, wrapped around her strong waist--opposite of stage-attire elegance. Long to the ankles, feet turned out with a hint of charming uncertainty. Flat on the ground--cloth alpargatas--hard to draw in just their plainness. Two braids and maybe a flower...

For the chango--as with the birds. The male plumage. What's downhome here is the hair--more front-to-back than up and down. A kind of connected solidity that belies the fanciness. Also something slightly rumpled as to the hat--worn true.

Cosas así...

Wednesday, November 11, 2009

Analect 2.611x



11 November 2009. Pale sun against mantle of gray, pushing through.

Choice and resolve. A wandering line, figures emerging as if from two pieces of cloth--held in the hand, released in the air. Their separation a measure of commitment--as if the bekoning were all.

The zamacueca, first danced in Lima, in 1824--la liberación, Gral. San Martín. "Su denominación como 'zamba' se aplicaba a las mestizas descendientes de indio y negra (o vice versa). La danza esta diseñada para seducir a las zambas, y de alli su nombre, tanto en Perú como en la Argentina."

Agitando Pañuelos. "...bailando esta zamba repiqueteadita..."

Tuesday, November 10, 2009

Analect 2.610x



10 November 2009. Half blue sky, bundled guard, change...

La firmeza, danza de galanteo... A dance of courtship, the two figures separate and independent throughout...

Moving through their steps with a poignant sureness, bending bough...

* * *

Coreografía:

1. Cruz
2. Vuelta
3. Giro (de espaldas)
4. Primer paseo: hacia la izquierda de varón
5. Segundo paseo
6. Tercer paseo
7. Cuarto paseo: apoyo de codos
8. Retroceso: con la mano izquierda en el oído
9. Avance y retroceso: con los dedos índice y mayor de la mano derecha en la cabeza
10. Avance y retroceso: en el 2ndo compas, las manos en el hombro
11. Avance y abrazo: el hombre intenta abrazarla a la mujer y ésta se agacha
12. Avance y abrazo: hacen lo mismo; en el 4to compas, el hombre le tira un beso a la mujer
13. Zapateo y zarandeo: el zarandeo se realiza con gestos de negación y de vergúenza
14. Media vuelta
15. Giro final

Monday, November 09, 2009

Analect 2.609x



9 November 2009. Cool November morning, all nines.

Margot and Daniella, a birthday gathering, on a hillside at the edge of a great park. Circle of trees along the ridge line, just behind another circle of gathered flowers and boughs. An offering--heather and rosemary, California sage. Other young people, and a mother with two bright children. Talk of Portland, a French teacher, the rain...

One of the younger women with spoon in hand, carefully ladelling chunky apple sauce into one of the children's bowls. Slow and precise movements of her hands--just so. As if all the care in the world...

Friday, November 06, 2009

Analect 2.608x



6 November 2009. Ying at pool window, notebook of college studies. Elbow arms of swimmers, back and forth, hint of sun...

Story of a puma in the Oregon landscape--Thalia, near the Dalles. "All orchards and fields." Her brothers wouldn't believe her till they saw the size of the tracks. Big smile, both arms in the air, straight up, a contemporary hooray...

Or Christine, telling of musicians in the Austrian country towns--local folk, each person involved. "You don't buy a drum, you go to the man who will make you one; he makes the other instruments, too..."

Carmencita, filmed with el Cachafaz, mysterious bit of footage--unique, from years past. Then, dancing again, at ninety-five...

Derrick and Lisette... Adiós, arrabal...

Thursday, November 05, 2009

Analect 2.607x



5 November 2009. To the northeast, island clouds--St. Thomas and St. Lucia...speckled and spotted, mandrake root...

A man alone, heavy wool on an ancient plain, his hands bound in iron, head down, eyes inward--contemplating--no, just first imagining--the long-term history of a noble refusal--in this case his own. To reclaim a kind of justice, yes, great horned owl of the Dakotas, prairie wind, also his own...

(for Leonard Peltier)

Wednesday, November 04, 2009

Analect 2.606x



4 November 2009. The gray skies...

And Tennessee Ernie Ford, with all his polished eagerness--the closely-trimmed moustache and those artfully wobbly teeth--sitting onstage together with Odetta, her presence, also artful in her own way--singing Woody Guthrie songs--the apple pickers' union in the Garden of Eden. A feigned spontaneity--or something more? Not that it matters, really, when they're so clearly enjoying each other's company... And the chance to do again what they truly love...

Tuesday, November 03, 2009

Analect 2.605x



3 November 2009. Early pool, blue sky, golden jet sliver on long diagonal, upwards...

The claims of Corot. A woman reading in the landscape, by the side of a modest French pond. Barbizon School... Hand to cheek, book in lap, and in the distance, a boatman, partly hidden by rushes at water's edge. Here made wide, the horizon out of Homer or Inness, perhaps--a seafarer--the Coming Storm...

That expanse, a patrimony...

Monday, November 02, 2009

Analect2.604x



2 November 2009. Gauguin morning, two figures at pool, rounded forms, dipping, smiling...

"Her Name was Vairaumati," and so the question remains--Vairaumati then, Vairaumati now, if only for this glancing moment, in the line of a shoulder, a flower, a young breast. Turned to the side, after the Pharoahs' wives, on dark blue cloth...Prints of flowers--frond and swirl... White petals...

The sea...

Friday, October 30, 2009

Analect2.603x



30 October 2009. Morning sun, clear and bright--not yet that late autumn mist.

Hablando de puchero y calabazas--Victoria arrives a little late, with cloth covered bowl of home-made empanadas--dulce de membrillo, quince jam--and a pitcher of tereré...that hot-summer variant of yerba maté... Nos encuentra cantando, our first pass at Tierra Querida...

And visiting from New York, Heather's grandmother, Edith, who appears with a spry smile at the classroom door...

Then: a black and white photograph of California land--darkly shadowed foreground with rolling hills, two rounded granite boulders, and a scattering of live oaks... where also appearing, mysteriously, at the far right--a small and convincingly incongruous rider on a rearing horse--borrowed, no doubt, from some long-forgotten yerra down Uruguay way...

Face of don Ata--a merging of worlds...

Thursday, October 29, 2009

Analects 2.602x



29 October 2009. Face peering up from pool, "This lane's free..." Christina's voice...

Mate pava on office floor--small bright metal kettle with narrow handle, balanced precariously on plug-in hotplate, a little water spilling on brown linoleum, our version of the outdoors. Victoria's grandmother, in the countryside near Luján... Enlaces...

Or Melissa, a few minutes later, sitting with Alice. "Do you think Mansilla (she uses the traditional soft elle, not the raspy Argentine pronunciation) actually lived the way he writes?"

To ask these questions, for the first time...

Wednesday, October 28, 2009

Analect 2.601x



28 October 2009. Clear and cold, wind raking pool, guards huddled under laters of red. Ying's smile...

Vitello Abalos, bailando una zamba con Elvirita, just two years back. Born in 1922, "estrenando sus primeros 'pantalones largos' como miembro del conjunto de Los Hermanos Ábalos..." who first recorded Nostalgias Santiaguenas in 1939...

Pañuelo de la gracia, corazón de la vida...

Tuesday, October 27, 2009

Analect 2.600x



27 October 2009. Brisk wind on pool deck, small penants horizontal, cirrus clouds, just a few...

With Chugo again, somewhere in the northwest of Argentina. Breakfast with the locals, a reprise of Cezanne, Fanta-sipping cardplayers at small tables, the non-descript landscape calendar high on tan wall, digital tv monitor on old wooden stand... A single wire providing the horizon...

Evidence of travel--time, space, sympathy...

Monday, October 26, 2009

Analect 2.599x



26 October 2009. Sunlight slicing through blue-green pool. Vigorous types in two-piece suits, flip turns... Swim coach on deck, head down, sorting through cell-phone mail...

The modern age. Le plus sa çhange... Payo Solá, seated, many years ago, somewhere in provincial Salta, his narrow fingers and dark lapels, bandoneón pulled wide across his knees. Flaring hair, also from another age--both wild and controlled, as with Toscha or Cavafy... An island personage, yes, stranded on the coast. Alexandria, perhaps--another backwater town--theodolite of the past...

Friday, October 23, 2009

Analect 2.598x



23 October 2009. Natasha curled in easy chair, lamplight. Early sun through white cotton curtains...

Of people and birds. A white-crowned sparrow, on a narrow branch. Gorrión, chingolo. Rufous-collared, too. A small and lively spirit, building it's nest "round farms and cities."

"...such a good-looking wee bird..."

Thursday, October 22, 2009

Analect 2.597x



22 October 2009. Solano before dawn--yellow lamps in the mist.

Atahualpa Yupanqui as a young man, seated, in front of four accompanying musicians, each dressed in white, guitars at the ready. His presence the focus. Early recordings, in 1936, for a company that distributes yerba mate... Recital Indígena por Radio Fenix... Caminito del Indio (Odeon Mangruyo)

Preguntas sin respuesta...

Wednesday, October 21, 2009

Analect2.596x



21 October 2009. Cool and gray, autumn.

Ying behind the sliding window of pool booth, page of science under incandescent lamp. Lifts her head, smiling.

"I watched you grow up. In a chrysalis, at the old pool...". Open look. "You know, what the butterfly's in before it becomes a butterfly..." Another smile...

Silver light on October waves, reflected on wide low-tide sands. Two figures walking on the beach below, in the distance--one of them in orange. Slight breeze. A woman's weathered face appears at top of stairs--the bather.

Faces and lives...

Friday, October 16, 2009

Analect 2.595x



16 October 2009. Beautiful sun...

October light, Pacific swell. A summer's morning, I don't know when. Gray at dawn, tucked up in hooded sweatshirt, Schwinn, board under one arm, ocean bound... Down Alberta Street hill, over to Wisconsin, across Hill Street, the tracks... First glimpse of morning's waves--about three feet, breaking glassy, gray-green...

Ojalá...

Thursday, October 15, 2009

Analect 2.594x



15 October 2009. Golden float lines on luminous blue, rain mist pool...

Chamamé. And this is what happens when you bring the polka to the Paraná... A close embrace, each bending forward to press cheek and chest, as if everyone in this world were small--in stature perhaps, but grand in spirit. A willingness to attend to the requirements of the dance--a necessity even, each morning, where the brown waters sweep slowly by...

Wednesday, October 14, 2009

Analect 2.593x



14 October 2009. Gray morning, after the storm, lacy and intermittent hints of blue.

Dance of the stars, as led by Lee, with Safeway cart, winter hat, no-nonsense boots. Her frail form, bending over 7-eleven bin, collecting. A chance for the Reed's Black Cherry to live again...

Clark, portable radio in hand, sidewalk mambo...

* * *

Ramsay's face, bending near, "May I ask a favor?"

Tuesday, October 13, 2009

Analect 2.592x




13 October 2009. Pouring rain on pool water, drips on drops... Lifeguard hunkered down against damp stucco wall, bent forward in poly hood...

A blaze of chickens, nonetheless. Houdan, Old Hungarian, Wynandote. Golden Montazah, and the lone Araucana... Araucana, from somewhere in the south. El sur, as with Lucio...riding to meet Mariano Rosas and his Ranquel band. Also Araucana, at least in part. Having adopted their ways. Tolderías, tents of wood and hide, cooking fires within, well hidden, ample flocks and herds...

These final moments, when two worlds meet, each one gathered into the next...

Rain...

Monday, October 12, 2009

Analect 2.591x



12 October 2009. Gray clouds piling, oncoming rain...

Lila on sidewalk, her head covered with a muted pink scarf, leaning forward as she pulls aside the large gray German plastic recycling container. Moments later: seated in their new tiny Honda Fit, electric blue... Equivalents (Victor Schrager to me, in 1978: "See them.")

Toscha, as a young man. A student of Mischa Auer: "Heifitz, that angel, Toscha, that devil..." Or so came the family story. As told in San Diego, a Navy town, with its parade of sailors up and down lower Broadway, white caps at a maritime tilt...

Beached there, along with a handful of Russians--Dad, Uncle Howard, Jimmy Toback--Stelly, and Toscha himself. Eddie Janowski and Aunt Mae. Do I remember scampering along the back of the built-in dining table bench--all freedom of movement, everything permitted--with Toscha's irritation mounting...?

"But Professor Auer develops a natural bowing, with an absolutely free wrist, in all his pupils..."

* * *

For the Toscha Seidel references, see Fredrick H. Martens, Violin Mastery: Talks with the Master Violinists and Teachers, available as a Project Gutenberg eBook:
http://www.gutenberg.org/files/15535/15535-h/15535-h.htm#Page_219

Friday, October 09, 2009

Analect 2.590x



9 October 2009. Low gray clouds, churning...

Talk of colors, adjustments and compensations. A row of oak trees on a Palo Alto Street, removed of a morning...

The history of loss. And the words for longing: añoranza, anhelo, saudade... The latter from Beatriz, sitting with me in the window on Solano, a little more than a year ago. Of Portuguese fishermen, setting out to sea, their wives alone on the beach, some of them weeping, as the boats disappear on the sea...

Succoth, a time of joy, autumn moon...

Thursday, October 08, 2009

Analect 2.589x



8 October 2009. "Morning low clouds and fog...," reassuring radio voice, while just outside, morning low clouds and fog. Impatient Saab directly behind, swerves right, then left, then right again, careening past onto narrow side street at high speed...

Where we are going. As in the pueblo of Huanguelen, tucked away in a remote corner of the Province of Buenos Aires. Miles and miles of wheat--dimpled clouds against a late afternoon sky. Community center room, bare, the ubiquitous modern plastic chairs and a single table on one wall, with a bevy of older women at antiquated monitors. Our computer class...

Or a gathering of children, in the public square--this from many years before, in fading black and white, their uniforms and pinafores arranged just so, arms around each others shoulders in a protective way--tiny gestures of dignity and anticipation...

José Larralde--Un día me fuí del pago...

Wednesday, October 07, 2009

Analect 2.588x



7 October 2009. Gray light over hills at dawn, a single bird...

El Alma del Payador--the soul of the story-singer... Santos Vega, a gaucho from around 1830 who lives on in myth because of a challenge from the Devil in human form--the figure of Juan sin Ropa. "Una sombre triste que vaga por las lagunas de la pampa..." A somber shadow that wanders amidst the lagunas of the pampa... Playing upon any guitar left forgotten nearby a well--aljibe, the old Moorish word. Constantly associated with water, and an invocation of the wind...

José Larralde in the film version of Obligado's classic--half-western, half-Whitman--from 1971...

Bajo un algarrobo...

Tuesday, October 06, 2009

Analect 2.587x



6 October 2009. Beginning of fall. Cold rounded poolside edge, blue water...

Stories. Named by her father, her mother still calling her Marta. Tucumán, cuna de los sueños. To Mendoza, a marriage and a son, then alone. Her voice--a gift and an impediment. "Para mí cantar era una tristeza..." This as a girl--again, the wishes of he father, but singing left her aislada--alone...

Soledad...y compromiso. Solitude and commitment--interwoven...

The concerts in the Opera, 1982--a sudden opening after the years of darkness. Her grand return...

"Un puente sobre todos los abismos..." Her openness, maybe to a fault--and her crazy friendships. Charly García, for one. Tall, skinny, outrageous. Her own view: "A veces cuando habla es tan inteligente que uno sólo puede admirarlo..." The two of them: De mí

And with the Chalchaleros, en la Rural, Buenos Aires: Zamba por vos...

Monday, October 05, 2009

Analect 2.586x



5 October 2009. Morning darkness, autumn chill. Masters team in changing room, talking laps and times...

That old phrase--chewing the fat. Hearthside, or kitchen table. As in the note on NPR--the nation swept by a sudden interest in craft. Richard Sennett in the lead--with words, that is.

A just shaping. The sense of touch, a feel and a turning. The pine bow, stripped of bark, white wood exposed to winter's air. Bite of the knife, along the grain, each fiber an opening.

Entire worlds...

Friday, October 02, 2009

Analect 2.585x



2 October 2009. Beautiful fall day, damp pool edge...

"Ojos limpios cómo un chingolo..." From José Larralde, La Noche del Peludero. The meaning of the words in a song, given such particular focus by the necessity of their ongoingness... Figure of Victoria's bisabuela--as a young woman, in the dress embroidered with a Mapuche design. Subtle, white on white, a remembering in the cloth itself, as with her beautiful elongated face--the dark eyes...

Reflections on a life.

I play for them La Fernanda, accompanied by Diego, seated upright, alert, just to her side... Attentive to the song--present and past, made one...

Cómo siempre...

Thursday, October 01, 2009

Analect 2.584x



1 October 2009. Morning pool light, sun...

Indumentaria--but not simply old clothes. Well, yes, old clothes--but in the sense of very old clothes--those worn a hundred years ago or more. That's old, isn't it? Bombachas, pañuelo, chiripá... The Indian names--Tehuelche, Mapuche, Pampa... Restitched for an immigrant clientele... One sees it on their faces--hard and unsure--like the horizon itself, always at a certain distance--to the west, al poniente del sol...

Unknown...

* * *

Yamhill Market, Portland, 1964-- a pair of beautiful brown woolen trousers, pin-striped, and very long-waisted, with suspender buttons and 1-1/2 inch cuffs. Another life...

Wednesday, September 30, 2009

Analects 2.583x



30 September 2009. Gray light over hills, how many ways...

Two Polish girls, on the hard side--Hotel Polonia--armed in black, rayon... The pose revealing more than the pose--a kind of tough vulnerability--clutching purses--or maybe not even so tough, the veneer thereof...

And within? Mokotów, Praga, the farms beyond...

Childhood of dreams, ads, enticements--the bounty of the west, crashing down... An unsuspecting populace--muddy fields, Częstochowa, the Pope...

A hidden unity, half-remembered--named in ritual--Body of Christ...

Solidarność...

Tuesday, September 29, 2009

Analect 2.582x



29 September 2009. Pearl clouds with intermittent sun, wash of grays, whites, pale blues...

Two Indian gentlemen in pool changing room, conversing in the old way, a morning in Delhi, the Jumna, despite all...

And a violist, whose autumnal sound, deep voiced and calm, soars in middle register, straight to the heart...

We have no word for this. The quality of tan in Taoist thought... "A semblance of impoverishment...should conceal an inner richness, serve as a plain garment which covers the embroidered robe."

Reb Zusia...

Friday, September 25, 2009

Analect 2.581x



25 September 2009. Sun at this moment pouring through gray--early fall.

Wyspianski's Wesele--The Wedding Party--in Wajda's film of 1973. Bronowice, a village near Kraków. The poet who marries a peasant girl, Lucjan and Jadwiga. Rachela. the young Jewish woman who appears unexpectedly at the celebration--"a victim of her own euphoria"--inviting in the chocholy (bound grain sheaves in the fields after the harvest) and thereby an opening to the mysteries of the Polish past.

Wyspianski's painting--figures of grain, in an autumn landscape. Van Gogh's space, Van Gogh's trees... Night, and a sense of distance...

They become real...

Thursday, September 24, 2009

Analect 2.580x



24 September 2009. Gray morning, gray gull over pool, glimpsed for an moment...

Marcello Mastroianni, bringing his charming Italian je ne sais quoi to the wintery environs of Torino--the Fiat factory strike, sometime after 1900... Image of the worker as Genovese extra--the café faces, clenched fists, worry and doubt, but a willingness to listen, maybe even follow. His narrow-rimmed university specs--the student--better with Schiller under his arm than Plekhanov or Marx...

François Noël-Babeuf--a society of equals...

Mourant de faim, mourant de froid...

Wednesday, September 23, 2009

Analect2.579x



23 September 2009. Sun like always...

Scabbard and standard, prepare for battle. Dark woods and dripping stream, Lancelot du'Lac--Bresson's vision, where the knights appear only as a sudden flash amidst the undergrowth--glint of armor and braised cuff... Or, a peasant girl from the east of France--the Maid of Orleans, as in the song...

Limousin, d'Auvergne...

Tuesday, September 22, 2009

Analect2.578x



22 September 2009. Sun over hills, all promise. Young woman from last week--Sondra--on bus bench with her daughter, Sisiki. "Tiene un nombre indigeno..." Small,wild curls in morning light...

The lute player, musician of the court, M. Charles Mouton, with ever so slight a smile, esconced in winter wig and thick brocade, from 300 years in the past. A draughty hall, inattentive hosts...Couperin...

Glassy waves at dawn, salt ocean air, single gull grazing the crest...

Monday, September 21, 2009

Analect 2.577x



21 September 2008. Mist against hills at dawn, Campenile's ghost. Single runner, turning for an moment, then gone...

Candombe, in the Barrio Sur, Montevideo, a century past. Recorded by Pedro Figari--who began these paintings only in his sixth decade. From childhood memories--the Bakongo Kings and Queens, crowned on new shores, in hidden rooms... Later, drawn from life--in friendship--his skills as a lawyer, marshalled in their defense...

A people's past, revealed in the sweep of the dance. A hand held just so--palm down, in peace, or raised to the brow--a warding off. Incorporated, in the most literal sense. Lives re-lived--remembered and wished for...

Legacy of earth...

Friday, September 18, 2009

Analect 2.576x



18 September 2009. Sun-filled pool, golden and blue, California...

Hills overlooking the bay--San Diego, Convair plant and eucalyptus, Mission Brewery in brick, curve of water towards North Island, Point Loma and the sea... This same time, ten years back--a September morning, Avery and Peter, in a kind of repose... Their two forms, in life and after...

And today: a mother and daughter waiting for the bus, again September, with a gathering of fresh flowers in an open green bag, tucked in between. Their luxurious curls, an ebony ring, Minerva's scroll...

Song...

Thursday, September 17, 2009

Analect 2.575x



17 September 2009. Gray skies, gray pool. Gray guard, gray wall. High, to the west, a single line of reddish brick, set side-by-side, in a wave. A motif...

The recurrence of the Baroque-- Age of Watteau, same dress, same song. But no, not at all his age, rather a brilliant kind of pretend--the ruff, the starred rosette, the arched thumb, the flowers and shoes... a kind of seeming...as if...

Where veracity reveals only the truth of longing...

Wednesday, September 16, 2009

Analect 2.574x



16 September 2009. Sun through morning clouds. Tall and gloomy swim coach, with notepad and pen--a racing form, perchance, or the morning's ve-ge-ta-bles...

As in a play--Twelfth Night, where Malvolio makest sense of things that be, a lady's wish, prediposed o'er parchement gold...a letter, indeed, and all it might reveal...

"By my life, this is my lady's hand these be her very C's, her U's and her T's and thus makes she her great P's. It is, in contempt of question, her hand."

Tuesday, September 15, 2009

Analect 2.573x



15 September 2009. Sun light in the fall, blue pool waters, silent swimmers seen from afar...

The University in crisis--a forum in 160 Kroeber--my own room, filled to the brim with Berkeley faces--students in the main, eager to hear Nancy Scheper-Hughes, Tim Clark, George Lakoff, Charlie Schwartz and Laura Nader each hold forth with a personal overview of what the institution--at its best--continues to represent. Education as a public good, not a commodity. Producers of doubt--of questions--to broaden our sense of the world. Not the narrow interests of class--a maintenance of privilege--but the dreams and the aspirations of a much broader class--the children of the people of California--more than a million of them, over the years, graduates of this public institution...

The threat: "a warping and closing down of intellectual horizons." (Tim Clark) * Question of "who is going to be educated? Those with the most money--or (pointing to the audience) you?" (George Lakoff) * Thorsten Veblen got it right in 1908: a public good. "Society's conscience." (Laura Nader). * Accountablity to this vision on the part of the administration--and the Regents (Charlie Schwartz).

Whom do we serve?

Monday, September 14, 2009

Analect 2.572x



14 September 2009. Voluminous clouds on blue, remnants of last night's storm. An early fall?

Young woman from Clean Living Cleaners, out in the parking lot with dust pan and broom, her desultory swipes at this and that, scattered across asphalt after yesterday's Stroll. Merchant's holiday, towards an imagined wherewithall.

Prayers for rain...

Friday, September 11, 2009

Analects 2.571x



11 September 2009. Beauty morning.

Even by email, with sun-dappled sidewalks just outside. Right down to a slanted Free Chips sign--and the Come and Get Me iced-coffee banner across the way. "I'm good...," an American response...

Anoche. Smiling and singing--a bird on the branch of a tree--el zorzal criollo, made real in wobbly blue pencil on thin sheets of trace. A nest. Importante. And two narrow footprints, as in Indian classical dance--and just behind, a pair of shoes made entirely from gathered husks of corn--rustic and imposing, "aquí estamos..." Set within a ring of leaves and clay.

To know the earth... Canción de la tierra...

Thursday, September 10, 2009

Analect 2.570x



10 September 2009. Foggy streets at dawn, swimmers in the mist, sun pushing through to blue-gold.

Some days like this, as when bevy of high school kids crowd into the Eritrean 7-eleven on Stockton. Get-ups and gear--flowing curly black hair over dark-gray top, hugging one girl's narrow shoulders. Sparkly something-or-others on the straps of her shoes.

Two lonely bottles on the dark-green top of recylcling can. Wrap-around label in transparent blue--a washier version of the sky, now that it's cleared--and a puffy orange lid. The civilization that can produce such--a focus of commercial energies...

Tejon Ranch, high in the Tehachapi's, soon to become Tejon Village. Luxury homes and a pool--the beautiful barren hills...

Wednesday, September 09, 2009

Analect 2.569x



9 September 2009. Gray becomes gold. That's how it works, sometimes. Girl from distant lands in lane alongside--the emperors Yao and Shun--her skimpy suit slips sideways, and she swims with breast revealed, a mother in churning strokes...

Face at the window of a bus--for an instant, all that can be known...

Thursday, September 03, 2009

Analect 2.566x



3 September. Sun pushing up over the hills at dawn, pool figures in blue-green, watery elixir.

Last night --the Maude Fife Room, early evening, poems, anticipation. Each new reader a unique voice--offerings of worlds--plaintive, instructional, insistent. The sky right after--dark Wheeler trees against cobalt blue, a jumble of tender clouds--up, down, sideways--scattered across the heavens. Cell phone shot records the instant--a read on the universe, at that moment, at that point in time and space. Always so. Walking back to Wurster, the grass route up faculty glade--a hill, basically, covered by a field--and then at the top, through the archway, a new full moon in the east, rising, rising...

Cecil--Dayton--his mother and his father...

Wednesday, September 02, 2009

Analect 2.667x



2 September 2009. Milky fall light--beginning of the season. Clunk and creak of recycling truck--spanning almost the entire street, silhouette of driver, one finger in the air, making a circling motion, urging us to pass...

Custom and accomodation. Jorge Cafrune on horseback, "...de a caballo," somewhere in the countryside of Argentina. That was his want--to encircle the land--la tierra querida, bringing song. A passionate act so outside of time--fuera de su tiempo--a reliving in the being, just as each note...

And it must pass, in strength, in tenderness...in love...

Tuesday, September 01, 2009

Analect 2.566x



1 September 2009. Another veiled morning--gray skies. Emory bundled up high on the lifeguard stand, red jacket, scarf, stocking cap--a Santa Claus of the waters...

High school kids collecting in front of Stocton 7-eleven, The El Cerrito High contingent--smiling girl with flowing dark hair, gray tights, glancing up quickly at her diffident companion--all times in one.

Or the painter Prilidiano Pueyredon--son of a general from the days of the Independencia--his studies in Europe--the Barbizon School, Corot--returned to the Pampas as a kind of ethnographer from the Rive Gauche... As with Watteau--a vision of one world becomes another...but where Watteau's tenderness, or the grace of loss? Maybe more the figures in Renoir's the Cabaret of Mm. Anthony--the white table cloth, rumpled apron, pinch of tobacco, stack of cups and plates--rough country shoes and a resting dog...

Always the dance...

Monday, August 31, 2009

Analect 2.565x



29 August 2009. All gray, fall. Back to home base: an old car--venerable--moored on the edge of 7-eleven lot. Lee K. in the distance, hood up, decals attached, bending forward over borrowed Safeway cart, picking rapidly through cans and bottles. In one a hand: a white plastic bag. Streetlight stancheon, sans gull, white globe against the sky.

Smile of lifeguard girl, bundled up behind the glass, open book held in both hands--the name Franz in bold, with wide pale surname just behind.

Messages and meanings. They arrive in trust, with an element of hope. Sometimes sad--and we hope again.

Chanan...

Friday, August 28, 2009

Analect 2.564x



28 August 2009. Myrtle sky, white streamers on pale blue, more heat in store...

The Imperial Valley, 115 in the shade, miles and miles of cantelope, honeydue, no one's home. Aunt Sis and the bar in El Centro--a long, dark affair, even at noon, smell of alchohol from the night before, and the night before that. The growers--close up to a cold beer, a Jim Beam, a whiskey sour. Desert drinks--gripped--to break the spell...

Alfredo Zitarrosa--an Uruguayan prince. His commanding articulation, no matter the song. Dark suit, bien gomado, muy formal. He delivers a copla, hands emphasizing each shift in meaning--a definiteness even when the mood remains lighthearted--as if the price of sorrow were a smile...

"...y no pasen los franceses..."

* * *

(gomina--the old-style hair wax used by men in Argentina and Uruguay. "...y pasen los franceses...," a fragment of a line from the song...)

Thursday, August 27, 2009

Analect 2.563x



27 August 2009. Mild California morning sun, even the driver of immense 7-up truck (pulled in just across the street) relaxed, texting away, high up in his cab...

The driveway in Oceanside, Fowles Street, ten years past. These same mornings. San Diego light, soft and filtered, raking the jacaranda. No one there but me. My father's garden, below, in the canyon. His trees a kind of testament-- avocado, fuerte and hass, the meyer lemon and bartlett pear... All the names. Wearing his old shorts, tied with a rope, the worn short-sleeved shirt (Walters Mens Wear) and a towell over his shoulder. The monarch butterfly appears--hovering--and he holds up a finger as improvised landing spot, all the time with eyes on their shadows on the ground... A kind of knowledge, material and irreplaceable...

As with Atilio Reynoso--his estilo viejo, from the plains of Argentina...

Sureño...

* * *

(Sureño--of the southland...)

Wednesday, August 26, 2009

Analect 2.562x



26 August 2009. Filtered sun--another beginning.

Sitting with Lisa and Michael at small table outside--inquisitive conspirators in a late work by Michelangelo Antonioni--filmed on a California afternoon. Students and students and students. Young man with Asian face holding single canoe paddle as he makes his way across Piedmont with a bevy of new friends. Two girls in shorts, smiling at one other. Another with narrow, pensive face, deepset eyes...

Another beginning...

Tuesday, August 25, 2009

2.561x



25 August 2009. Gray, like fall. Warm face of lifeguard girl, smiling, coffee in covered paper cup and what looks to be a delicious bagle with cream cheese and lox. Luxuries of seven am...

A glance at email. Misplaced personal belongings--as in tenderness, or affection. Indelible commodity, with clumsy fit in the public realm. Acts of pulling back--families become surnames, relatives facebook accounts, friends a set of initials. Not single ones, as in "m." but doubled, in capital letters, instrumental and efficient, inserted at the end in miniaturized act of defiance. Like the wearing of coat and tie--or the armor of a three-piece suit. Impervious...

Bureaus and bureaucracies, things slipped into drawers, the mystery of the paper process, the rotary file, the spell check...

A man and a horse, in a field. "La yegua es la mejor amiga del hombre... ¿Qué duda cabe?

* * *

("A mare is a man's best friend..." What doubt could there be?)

Monday, August 24, 2009

Analect 2.560x



24 August 2009. Cloudy gray, with hint of sun, early fall. Grizzled man in soft orange ski cap, heavy work clothes, clear wrap-around shades, his gloved hand on diagonal truck lever--raising and lowering the toter cans. Humanizing a landscape of industry, if only for an instant...

Then--sudden sound of crash--heads turn up and down the street. A dark American behemoth with silver grill backs full-force into waiting guard rail of the old Navigator Escrow building. An unintentional attack on capitalism at its very root...

People gather, watch, silent, arms at their sides...

Political theory of the pampas. A chestnut colored mare--yegua--muscles taut, coat distinct, racing ahead. Exhilaration of unboundedness.

"...entre los camalotes de la corriente zaina..."

* * *

("...amidst the floating camalote roots of a horse-brown current..., " Jorge Luís Borges, La Fundación Mítica de Buenos Aires)

Friday, August 21, 2009

Analect 2.559x



21 August 2009. Chilly mist at edge of pool, almost fall. Later--sun pushing through gray. Mo with his back turned, behind 7-eleven counter, stacking cartons of smokes. The order of commerce. Yesterday--a basket of figs--dark velvet blacks, tiny gold-red seeds within.

"I want to be a farmer," the girl, Valerie, in produce aisle, El Cerrito Natural Foods. She leads me to the tofu case, smiling--"this one is really good"-- the jalapeño smoked from Tofu Yu. And who could refuse?

The ways of the world, as of old. Two Tahitian maidens, side by side. Their veiled eyes averted--in modesty and dream. Gauguin's carved wooden platter of crimson-orange fruit, a pink bouquet. Single pale earing--a bit of coral.

From the sea, as are we all...

Thursday, August 20, 2009

Analect 2.558x



20 August 2009. Chill bay winds, gray skies. Empty lanes in pool as early swimmers scurry to the changing rooms. Ripply black lines along the bottom...

Or another kind of pool--"en la pila del bautismo." Words from songs, taking on renewed meaning each time they're remembered, or in the singing. Atahualpa's version--el canto del viento. Hilachitas--threads of song, picked up by the wind from all over the land--cerros, montes, ríos--carried up into the heavens, then let go again, one by one, to be gathered by those who listen...

Wednesday, August 19, 2009

Analect 2.557x



19 August 2009. Beautiful gray morning, scant car or two up and down San Pablo, dawn. Studio light, early. Reading of work in the California woods...a set of tools laid out just so on open ground. Sabina. Draw knife, axe, branch cutter, slege--tools for labor of an intensive sort, carried on in solitude. Solitude and sweat, no doubt--the single ladder moved from spot to spot, the domestic squabbles and re-sitings, new layers of granite skirt to accomodate--all in the lived moment, later in thought. Unable to speak for months after, as if to hide--but no, a matter of patient waiting, till all comes pouring forth...

In one sweep, like Gauguin's wave on the Tahitian beach, long ago--lithe figures on horseback, another sort of accomodation--beauty in the fit.

Building...always building...

Tuesday, August 18, 2009

Analect 2.556x



18 August 2009. Gray morning. Eritrean youth in Stockton Avenue 7-eleven, behind the counter, just before eight. "A small coffee?" His slight smile, and then, after several weeks of visits, a subtle thumbs up as well. "Have a good morning."

Today--desert sands, a camel by request. Taking a close look--this ungainly lass. But the length of bone, and in-pulled hide, back legs splayed wide over padded feet. Narrow ridgebone of back line, wobbly knees. But wait until she walks, or begins to run. Kneeling, even. The essence of a certain kind grace. Forelegs tucked under chest and neck, head up, outstretched in eager gesture. All attentive. Then she rises. Hump up first, forelegs follow, a few gingerly steps. This nimble balancing...

As forever...

Monday, August 17, 2009

Analect 2.555x



17 August 2009. Mid-afternoon, flash of Oceanside on a summer's day. Salt breeze, warm sand, glittery sea. Endless wind-tossed waves, rolling endlessly in... Pepe (now this a long time back)--mop of blond hair, surfer's build, leaning forward over worn guitar--the narrow Spanish wood a pathway to other places, other times.

Infallible, maybe--like the palm-fronds plaited into beach hats--tropical isle--or blocks of whitish parrafin scraped across width of polyurethane board, peppery rick-rack for a better grip. Yes, power of the toes, turning left off the face of smooth green wave--five feet and glassy--powered higher and higher by some current unknown...

Friday, August 14, 2009

Analect.2 554x



14 August 2009. Late summer, cool morning. Pool girl in ski cap girl slides open office window, smiling. Three swimmers, under water, chests up, fins, dolphin surge...

Insistent and unexpected... A milonga campera, played en homenaje... Family photos in faded black and white--a little girl and her father together on a bike, she sits just in front, between his arms. Group of figures in front of a truck, leaning back on the hood, arms akimbo, their sons piled on just behind. A trio of men, standing straight, before heavy burlap bags of Argentine wheat, stacked high over their heads...

"...a vos Viejo, que hace 7 años te fuiste para el silencio, pero tus consejos son palabras que orientan mi vida a cada día. Te mando esta canción que siempre cantabas y tocabas tan lindo, 'Gracias Benjamín Buisi por haber sido mi Papá.' "

* * *

"...to you, Viejo (old man, always said with a combination of respect, endearment and just a touch of the younger man's need to challenge) it's now 7 years since you left for the Silence, but each day your words of advice continue to orient my life. I send you this song, the one that you used to sing and play so nicely. 'Thank you Benjamin Buisi for having been my father.' "

Thursday, August 13, 2009

Analect 2.553x



13 August 2009. Golden sky, cool blue green pool. Lithe figure next door, tiny red toes...

Atilio Reynoso--a triunfo (my transcription in progress):

Mi caballo atado
alla relinchando, 'lla relinchando
Dejelo que relinche
yo estoy cansando, yo estoy cansando...

Este es el triunfo, triunfo
de las mujeres, de las mujeres
Que bonito lo vayan
cuando ellas quieren, cuando ellas quieren...

Una gallina vaya
y un gallo vero
Son las primeras etapas
de un pueblo nuevo...

Este es el triunfo, triunfo
cantar de mi alma, cantar de mi alma
Hacia más dulce la muerte
que la vida amarga...

* * *

My horse is tied up
neighing and neighing
So let him neigh,
I'm resting...

This the triunfo, the triunfo
about all women, about the women
How nicely it goes
when they wish it, when they wish it...

A chicken makes her way
and a real rooster
They're the first steps
towards a new pueblo...

This is a triunfo, a triunfo
the song of my soul, the song of my soul
where death becomes more sweet
than this bitter life...

Wednesday, August 12, 2009

Analect 2.552x



12 August 2009. Sunny, maybe warm. Broken clouds, shimmering pool...

Alfredo Zitarrosa... El chogüí--celestino común--the sayaca tanager, from the litoral... los ríos del Uruguay...

"Habita generalmente los matorrales, muy rara vez están en el piso. El nido lo construyen con mucha prolijidad en las ramas más altas de los árboles, con palitos entrelazados y hojitas secas. La parte interna tiene líquenes y pastos finos recubiertos de musgos. Se los encuentra en parejas o pequeñas bandadas. Al comienzo de la primavera se juntan con las otras aves que migran."

Al compadre Juan Miguel
no le pagan el jornal,
y aunque no haiga de comer
lo mesmo, hay que trabajar
Pobre compadre Juan Miguel
la vida le ha toca'o...

(from the beginning of a chamarrita--Coplas al compadre Juan Miguel)
* * *
(Inhabits brushland primarily, very rarely seen on the ground. They construct their nests with great elaboration in the highest branches of the trees, made with interlaced twigs and dry leaves. The interiors have lichens and fine grasses covered with moss. Encountered in pairs or small flocks. At the beginning of spring they join together with other migratory birds...)

To my compadre Juan Miguel
they don't pay him his daily wage,
and even though there's nothing to eat
all the same, you have to work
To my compadre Juan Miguel
Life has given him a knock...

Tuesday, August 11, 2009

Analect 2.551x



11 August 2009. Gray skies, even all across...

Coplas de carnaval--Tilcara, Salta, in the far northwest of Argentina. Verses at the time of Carnaval. A woman's voice, chanting. Steady beating of a drum...

Solita soy en el mundo
solita como el cardón
de noche me da la luna
media' me pega el sol...

El carnaval es un río
y andamos mojando la vida
los que seguimos creyendo
que la tristeza se olvida...

La naranja nació verde
el tiempo la maduró...
mi corazón nació libre
y el tuyo lo cautivó...

Las sabanas de mi cama
toda la noche las lavo
con lagrimas de mis ojos
al ver que me has olvidado...

Si me querés dímelo
y si no, dame veneno
que yo prefiero la muerte
que verte en brazos ajenos...

La pena y la que no pena
toda es pena para mi
Ayer penaba por verte
hoy pena' te vi...

* * *

I am all alone in the world
all alone like a cactus plant
in the night, lit by the moon
in the day, beaten by the sun...

Carnaval is like a river
we go along, getting our lives wet
those of us who continue believing
that sorrow can be forgotten...

The orange was born green
time made her ripe
my heart was born free
and yours made her a captive...

The sheets of my bed
all night long I soak them
with the tears from my eyes
on seeing that you have forgotten me...

If you do love me, tell me so
and if not, then give me poison
for I prefer death
to seeing you in the arms of another...

Pain and even the which isn't pain
all is pain for me
yesterday, I was paining to see you
and today, pained that I did...

Monday, August 10, 2009

Analect 2.550x



10 August 2009. Sun, warm day. Blue green pool, churners...

Piedra y camino--Atahualp Yupanqui. Born Héctor Roberto Chavero, in Pergamino, a railway town on the open plains of the Provincia de Buenos Aires... His father had lived as a gaucho, but took a job with the railroad for the security of his new family; they moved often from stationhouse to stationhouse, across the llanura...

"Mi padre era poco amigo de explicaciones. Pienso que tal vez prefería enfrentarse al paisaje, a los hombres, a las cosas que pueden ayudar a entender la vida, para que poco a poco yo sacara mis propias conclusiones. Tenía, sí, el buen tacto de no ofrecerme espectáculos. Muchas veces, con una mirada o una palabra, me ordenaba alejarme de gentes que él no consideraba oportunas o dignas para mis ojos... Me cuidaba sin que yo me percatara. Jamás tuve mejor baquiano que mi padre, en la pampa y en la vida." (El canto del viento)

* * *

(My father was little friend of explanations. I think that he preferred to confront the landscape, people, the things that help one understand life, in order that little by little I might draw my own conclusions. Yes, he had the good tact not to show me vulgaritiers. Many the time, with a glance or a word, he would order me to distance myself from the types that he didn't consider worthwhile or dignified enough for my eyes... He looked out for me without my noticing. I never had a better guide than my father, on the pampa or in life...)

(The Song of the Wind)

Friday, August 07, 2009

Analect 2.549x



7 August 2009. Linda mañana. Open skies to the east, shimmering gold on blue.

An older woman with aluminum cane just to my side in the coffee line, reaches across my wrist to a box filled with bright crimson foil-wrapped chocolates. I approve of her choice. Then she, in a soft and very British English: "I'm not supposed to. I'm diabetic, you know. But I'll die happy..." Again reaching, to almost touch my arm...

"...where the pleasures are few." Lines from a song--Merle Travis, at night, in his car somewhere in LA, sitting under a streetlamp, lady friend alongside--scribbling out the lines to a song...

Or the Argentine, father and daughter together on a stage. His enveloping presence--her wonderfully almost-innocent confidence. To make a place for this in the world...

Thursday, August 06, 2009

Analect 2.548x



6 August 2009. Pearl clouds across the sky, opening onto blue-green pool...

Three figures, compañeros... los árboles de la provincia de Santa Fé...

Orlando Vera Cruz...singing the words to a poem...

Y mi amigo es el hombre entre los hombres.
Él y la rosa son lo mismo;
él y la hierba cuando vuelve,
a pesar del cuchillo...

* * *

And my friend is a man among men.
He and the rose are the same;
he and the grass when it returns,
the grass despite the blade that cuts...

(from the poem Cárcel, by José Pedroni)

Wednesday, August 05, 2009

Analect 2.547x




Pulling out of 7-eleven--latino tradesman in polished black double-cab open-backed truck, the one with the braided silver trim--muy elegante--gives a wave through tinted glass. Glimpse of wide smile, fleeting...

Atilio Reynoso--always a kind of return. Again, un estilo viejo, played in open sixths, the melody shifting from above to below, and back again. But what do I know of this--a sound discovered, really. Happened upon. Fields of grass--all the words--pajonal, gramilla, pastillo--yuyos, cardón-- carrizo de las pampas...

El viento estremece...

The music as well...

* * *

(El viento estremece... The wind makes tremble...)

Tuesday, August 04, 2009

Analect2.546x


4 August 2009. Almost sun, gray and blue. Smiling woman in pool, arc of even teeth in an ancient Chinese face. Continuities...

Coya, people of the far northwest, spread of Inca lands up and down the Andean chain, including the Argentine provinces of Salta, Jujuy, Tucumán. Face of Garcilaso de la Vega--El Inca Garcilaso--his narrow, arched Castilian nose, high forehead, pointed features--that single slice of white collar above the Spanish black... His mother an Inca princess...

Or Santiago del Estero, where a dignified older woman stands before a microphone with caja drum, her hair a gray blond, preparing to sing. Outdoors, sound of people's voices, unseen, children too. A call of encouragement from someone in the crowd: "Bravo, bravo Bajia..." Aware of all this, yet very much in her own realm. A time of song, a lifetime...

Una vidala...

Monday, August 03, 2009

Analects 2.545x



2 August 2009. Autumn approaching. Yesterday--dear Gabryela's birthday, Warszawa. Pierwszy Sierpien´--day of the powstanie, the Warsaw Uprising, from a quarter of a century before.

As with the palm--a rebirth. Rosita Quiroga, seated against a backdrop of empty wooden chairs--Thonet, Loos, Mitteleuropa... but here it's Puente Alsina, and the old Buenos Aires--Riachuelo, La Boca... "Donde está mi barrio--mi cuna querida...?"

"...nuestros vecinos eran los Quinquela Martín. Cantaba milongas, estilos, zambas, vidalas... Después me incliné al tango--pero el tango arrebalero..." "Y quantos años tiene?" "Pero ché, me estas embromando... Soy tan vieja como la biblia... Pero si, puedo cantar este tango..."

Pensamientos insoslayabales...


* * *

"My neighborhood--where is it--my cradle, the one I love...?"

"Our neighbors were the family of (painter) Quinquela Martín. I was singing milongas, estilos, zambas, vidalas. Afterwards I was drawn to the tango--but the tango arrebalera (tango of the outer districts, the rough periphery). "And how old are you now?" "but che, you're joking with me. I'm as old as the Bible... But yes, I can still sing this tango..."

Thoughts, unavoidable...

Friday, July 31, 2009

Analect 2.544x



30 July 2009. Quiet Friday pool, out and return. All gray. Sleek figure, midstream, several feet below, saving the dolphins...

Alfredo Zitarrosa. Who would have thought. A hundred faces, each more haunting than the last. Bien gominado--the polished hair--but something alive within, mysterious, very near the surface, but always hidden, even painfully, as if the revelation were never to be part of the deal. Watching him, we feel the same...

Una voz ensimismada--this for us as well...

* * *

Ensimismarse=from en sí mismo, a reflexive act of the awareness of the presence of the self--and at the same moment, the world.  Velázquez, Cristo...

Por que hay tanto campo, vidalitá
y tanta gente pobre...

(For there is so much country land, vidalitá
and so many people poor...)

(for Mauricio)

Thursday, July 30, 2009

Analect 2.543x



29 July 2009. Gray skies, lovely, even gray skies.

Yesterday--a vidalitá, recorded by Leda y María, half a century ago. Entre valles y quebradas--Between Valleys and Ravines... (The recording they made together, remembered from that time, now returned.) Or the yaraví, una canción del viejo Perú, making its way through those same passes. El Cisne, the swan. "Del cancionero anónimo..."

Traces of colonial Spain, leached into the American earth--el yacimiento... A young girl from Arequipa, this history, relived.

Wednesday, July 29, 2009

Analect 2.542x


28 July 2009. Gray morning, hints of sun to the south, then gone. Puffy truck across the street--also gray--with achingly luminous tail light housings, tinted glass. Labor's revisionists.

As with Eva Perón--who's words stand out as a kind of heroic madness--engaging the emotions, always, but finally, towards what end? ("Yo quiero la selva y la incógnita...") And yet, her face...

Abel Fleury, Estilo pampeana--song of the llanura--the open plains.

Botas de potro...

* * *

(Note: Eva Perón-- "I love the jungle, and the unknown..."
Botas de potro: leggings made directly from horsehide, partially covering the foot .)

Tuesday, July 28, 2009

Analect 2.541x



27 July 2009. Even and gray, breeze.

White ACR truck--Air Conditioning and Refrigeration Corporation in small red letters across tail. Man appears--red shirt, dark arms, swings open back to remove two long white replacement panels, carrying them jauntily across 7-eleven lot. 1-888-345-COLD. Next to him: hint of charging red bull on violent yellow--emerging from gray over blue--American drug. Continuing, gleaming Toyota van, also in white, with narrow black rails on top--purpose unclear. Parked and waiting...

As opposed to Che G, "sobre el burro"--sometime in 1933, Alta Gracia, Córdoba, la Argentina...

Monday, July 27, 2009



26 July 2009. Again gray, promising sun...

The poems of Romildo Risso, poeta gauchesco uruguayo... "y tomando quizá la forma contemplativa del hombre de campo," a phrase from the introduction by Claudio Frydman: "And taking on perhaps the contemplative form of the man of the countryside..."


Silbando piensan las aves.

Silbando piensan las aves
Yo pienso ansina también.
Naides sabe lo que dicen,
Ellas lo deben saber.
Se me hace que las ideas
Con las palabras se van.
En el sibido parece
que se alargan nada más.
Mesmo sin pensar en nada
Las horas suelo silbar...

Romildo Risso

* * *

Birds Think by Whistling

Birds think by whistling
That's how I think as well.
Nobody knows what they're saying,
but they must know.
Sometimes it happens with me
that ideas in words just go away.
By whistling it seems
they simply get a little longer.
And so in not thinking about anything
I find myself whistling the hours...

Romildo Risso (1882-1946)

Friday, July 24, 2009

Analect 2.539x


24 July 2009. Gray, with flecks of rain. Gray pool, cold.

Tata Cedrón, singing to a group of friends, in Buenos Aires... The poems of Hómero Manzi--


El Ultimo Organito

Las ruedas embarradas del último organito
vendrán desde la tarde buscando el arrabal,
con un caballo flaco y un rengo y un monito
y un coro de muchachas vestidas de percal.

Con pasos apagados elegirá la esquina
donde se mezclan luces de luna y almacén
para que bailen valses detrás de la hornacina
la pálida marquesa y el pálido marqués.

El último organito irá de puerta en puerta
hasta encontrar la casa de la vecina muerta,
de la vecina aquella que se cansó de amar;
y allí molerá tangos para que llore el ciego,
el ciego inconsolable del verso de Carriego,
que fuma, fuma y fuma sentado en el umbral.

Tendrá una caja blanca el último organito
y el asma del otoño sacudirá su son,
y adornarán sus tablas cabezas de angelitos
y el eco de su piano será como un adiós.

Saludarán su ausencia las novias encerradas
abriendo las persianas detrás de su canción,
y el último organito se perderá en la nada
y el alma del suburbio se quedará sin voz.

Hómero Manzi

* * *

The Last Organ Grinder

The muddy wheels of the cart of the last street organ player
will emerge from the late afternoon searching for the arrabal,
with a skinny horse, a lame one, and a little monkey
and a chorus of young girls dressed in percale.

With muted steps he'll choose his corner
where the light of the moon mixes with that of the corner store
in order that they dance waltzes just within the alcove
the pale marquesa and the pale marquis.

The last street organ player will go from door to door
until he encounters the house of the neighbor, now dead,
the house of that same woman who grew tired of love;
and there he will grind out tangos, until the blind man weeps
the inconsolable blind man from that poem of Carriego,
who smokes and smokes and smokes, sitting there in the darkened doorway.

He will have a white music box, the last street organ player
and the asthma of autumn will run through his sound,
and the heads of tiny angels will adorn its sides
and the echo of its piano will be as a farewell.

The awaiting brides, enclosed in their houses, will greet his absence
opening the Persian blinds just behind his song,
and the last organ player will be lost in nothingness
and the soul of neighborhood will be left without a voice.

Hómero Manzi

Thursday, July 23, 2009

Analect 2.538x



23 July 2009. Chill wind, ghost ripples on pool. Empty lanes at dawn. En route home--the old pool--building now a pile of rubble, two iron-jaw machines scooping up chunks of concrete, dumping them without ceremony into dented bin of waiting semi, diesel running...

La Siete de Abril de Andrés Chazarreta...from a different time. Image on screen--a young man, posture forthright, seated at table, pavo y mate al lado, "tratando de tocar"--una frase gauchesca, or is that so? A certain dignified modesty, in any case--viejo estilo criollo--although he's certainly too young, and the striped pullover reveals a much more recent age. Heavy sliding bolt on door, locking from the inside...

Otros andarán por ahí
igualitos como yo
cantando tristes sus penas
zamba sos mi canción...

* * *

Others will follow along
just as I do
singing with sadness their sorrows
zamba, you are my own song...

(Note: The adjective, gauchesco, describes an act of selfless--and often risky--generosity. Viejo estilo criollo--the old argentine criollo ways. For example, story of poet, Juan L. Ortiz, that he always addressed his young son not as tu, but rather in the second person formal, usted. Viejo estilo criollo. The boy would answer him using tu...)

Tuesday, July 21, 2009

Analect 2.536x



21 July 2009. Nicola curled up half on my shoulder, motor purr, sometime in the vicinity of 1am... But who's counting, with Polo Gimenez's charming accounts of Buenos Aires in the 1950s running through my head. El Tinetense, for example, small club hidden behind an old brick wall--una vieja tapia de ladrillo--where one knocks at the unobtrusive inset doorway--no sign, of course, and just inside a run of grand shade trees along path to sloping structure with unplastered walls--sin revocar--

Este insospecho rinconcito de Buenos Aires, resulta un pintoresco, alegre y airado lugar, donde puede reunirse un grupo de amigos a comer un sabroso asado al aire libre, bajo los árboles, gozando de intimidad y tranquilidad absolutas...

Taking for granted--or perhaps making possible--that we all share something of this life...

* * *

(This unsuspected little corner of Buenos Aires turns out to be a picturesque, cheerful and airy place, where one can come together with a group of friends to eat a tasty asado in the open air, under the trees, taking pleasure in the intimacy and absolute tranquility... Polo Gimenez, Este lado del recuerdo.)

Monday, July 20, 2009

Analect 2.535x



20 July 2009. Gray dawn. Natasha eager to come in, Nicola eager to go out. There we have it--the tides, the seasons, the three-minute egg.

Playing songs in morning light. Corrazones Amantes. And Nostalgias Santiagueñas, from Adolfo Abalos--ripply arpeggio against a solid but understated strum. Never emphasize the first beat, he writes--and then does so precisely. Tides and seasons.

Story from Polo Giménez, in Este Lado del Recuerdo (This Side of Memory)--always with a certain lively drollness, mixed with the most unabashed emotions--for the songs, the land (Paisaje de Catamarca), for his mother (Del tiempo i'mama)...and of course for all of his friends...

Hotel du Midi, que vive todavía...


* * *

(The pianist here is Ariel Ramírez, noted composer of Misa Criolla, and an admired friend of Polo Giménez. Polo's own recordings seem to be available only on record. In the second video, we have an impromtu dining room duo with Marco Cardenas y Galo Jurado--fresh from YouTube. The drawing shows Polo Giménez, with Jorge Cafrune alongside...)

Friday, July 17, 2009

Analect 2.534x



17 July 2009. Dappled sun, tiny breeze. Natasha appearing suddenly in the shadows, after long night out, sitting quizically, gold-green eyes...

Rodolfo María Giménez--"Polo"... "Los Musiqueros y... del tiempo i'ñaupa...". His piano, his books, paintings, leaning back in a relaxed way on the well-worn couch--an urbane touch--played tangoes in Córdoba from day one--and yet, and yet his love for la música folklórica--Catamarca, La Cuesta del Portezuelo...

Thursday, July 16, 2009

Analect 2.533x



16 July 2009. Gray morning, chill. Pool water gray, too. Untoward...

Older woman with yellow bags, a pile of them, stacked on metal roller cart. Her narrow eyes veiled by wide-wing dark glasses, moving mouth, soft features, but ready to pounce. "You're crazy," she announces, accusing me under her breath...

Story of Levinas and the shoe store in Vienna, which he visited, children in tow--but the pair he tried on somehow just weren't right. Nevertheless, a great inner struggle as to whether he weren't indeed obligated to purchase them, the clerk having made such an effort.

Effort and grace. The island of Chiloé, somewhere south, off the Chilean coast. Dancers in narrow room, hurricane lamp, heavy clothes. Smiling. Refalosa y zamba, Cueca chilote también...

Wednesday, July 15, 2009

Analect 2.532x



15 July 2009. Window seat, mid-morning, cool gray skies. Mysterious dark haired girl, bare feet tucked up under her knees, working on an elaborate report--many separate boxes to be filled in. Alacritous typing...

Neighbors next door. Voices through the holly leaves, grown thick over rickety fence--laughter and short exclamations, group of young people--a nice abruptness... Glow of single cigarette in the evening dark...

Also, this morning--young guy with band flyer--his own. Black and white. "I play guitar." Gives me a quick history of the Stooges--their four albums, "each one different, each one perfect," rounding his thumb and first finger into a mathematician's "O"...

The Impediments, sans serif plus tantric hand with question mark, Weegie photo of dissolute middle-agers... and some scraggly writing as to time and place... Also appealing...

"Nice name."

Tuesday, July 14, 2009

Analect 2.531x



14 July 2009. Push of light at dawn, warm day in the offing...

Lechuza--the owl. Sheet of yellow trace, with blunt markings on straight lines--plan and section for owl boat, as before... Invisible architect of the night, bane of mouse and mole--whose subtle and prominent mournfulness greets us from the cedar tree...

Lechuza--the owl.

Monday, July 13, 2009

Analect 2.530x



13 July 2009. Sunny window, Norris and Charles at work--backs and forths, notes on the day... Impromptu analytique of Dorris Day, Judy Garland, Greg providing the requisite youtube standoff. Bit of film track--sound of an entire era--an eager and somewhat complacent optimism... Reassuring as well, the sound of mild tears...violins...

Dusty road somewhere in the northeast corner of Santiago del Estero. Monte Quemado--the burned mountain. El Hachero, figure of a woodcutter, an over-sized eulogy in roughly-formed concrete, scarf and sash of a campesino, sideburns and brow overdrawn. Clearest feature--veins on the arms as he grasps the axe. Los brazos...

Yesterday: Nostalgias cuyanas. Corazones Amantes, a zamba, recorded by Ruiz Gallo and Perez Cardozo...

Yo te quiero morena
con alma y vida, con alma y vida
solo con tus caricias
podré curar mi alma herida

* * *

I love thee, my dark one
with my soul and my life, my soul and life
only your caresses
will heal my wounded spirit

Friday, July 10, 2009

Analect 2.529x



10 July 2009. Nice gray morning, sun sometime soon... Paying altogether too much attention to John's small green car--an English racing green (and when was it English? when did it ever race?) pulled in on the Solano diagonal. Stack of narrow of cardboard boxes on front seat; bicycle rack on back. Implied narrative...

Jaime Dávalos, songs and poems. "Ese toro," given to heartfelt enthusiasms and good Salta wine. Miguel Castilla, Cuchi Leguizamon, Eduardo Falú...circle of friends. "La calendaria," "Vamos a la zafra", "Canción del Jagandero"...

Worked as a potter, puppeteer, itinerant artist... "Entre fines del '50 y comienzos del '60 tuvo sus propios espacios en television: El patio de Jaime Dávalos, and Desde el corazón de la tierra...

"Alma de las golondrinas," soul of the swallows... "Se me vuelve camalote el corazón..."

* * *

(Note: camalote, jacinta de agua, or water hyacinth. "And my heart becomes a camalote...")

Thursday, July 09, 2009

Analect 2.528x



9 July 2009. Sun, mild... Through window, for a moment--palm branches in the wind...

La Rioja, Los Hermanos Peralta Dávila. Esteban y Aquiles... "Somos como los robles... fuertes... y no sabiendo llorar, cantamos." (We're like the oaks...strong...and not knowing to weep, we sing.)

A history of trees...

Wednesday, July 08, 2009

Analect 2.527x



8 July 2009. Sun, even at dawn. Small birds in the mimosa--the local crew. Greetings from the east...

Juanele, in the middle of the night...


El aguaribay florecido

Muchachas de ojos de flores y de labios de flores.
En la sombra exhala--¿de qué su dulce hálito?--
los vestidos ligeros, muy ligeros, con pintas.

Arde de abejas el aguaribay, arde.

Ríen los ojos, los labios, hacia las islas azules
a través de la cortina
de los racimos
palidos.

Ríen los ojos, los labios. ¿Veis las muchachas o es
la tenue sombra ebria
y bordoneada
que alucina de muselinas claras
y de otras flores vivas--extrañas flores vivas--
riendo, riendo, riendo hacia las islas?

Muchachas de ojos de flores y de labios de flores.

Arde de abejas el aguaribay, arde.

* * *

The Pepper Tree in Flower

Girls with eyes of flowers and lips of flowers.
In the shade it's sighing--from what source this sweet breath?--
light dresses, very light, with small touches of color.

Burning with bees, the pepper tree, burning.

Laughing, the eyes, the lips, even to the blue islands
through the curtain
of clustered berries
pale ones.

Laughing, the eyes, the lips. Do you see the girls or is it
the tenuous shadow, drunken
and deep chorded
that would seem to beam of light muslins
and of other living flowers--strange and alive--
laughing, laughing, laughing even to the islands?

Girls with eyes of flowers and lips of flowers.

Burning with bees, the pepper tree, burning.


Juan L. Ortíz

Tuesday, July 07, 2009

Analect 2.526x



7 July 2009. Even gray.

Narrative and its discontents. A figure in a boina. "En Europe aparece históricamente documentada tanto en miniaturas de la Baja Edad Media como en figuras que adornan construcciones góticas..."

Trails and paths. Salta. Story of Juan Panadero--Juan the baker, as in the poem by Manuel Castilla, retold here by Cuchi Leguizamon, who set it to music:

"Nosotros teníamos un amigo, don Juan Riera, quien era propietario de una panadería en la calle Lerma. Manuel todas las mañanas le compraba el pan calentito, pero una vez al Barbudo lo dejaron sin trabajo en el diario El Intransigente, entonces no fue más. Pero al poco tiempo Rierita comenzó a llevarle personalmente el pan de la mañana. Manuel le dijo que no lo aceptaba porque no podía pagarlo y ¿sabe qué contestó Rierita? 'Antes, cuando usted podía, venía y me compraba el pan, pero ahora que no puedes es mi obligación llevarselo todos los días.' Mire qué filosofía."

"We had a friend in those days, don Juan Riera, who was the proprietor of a bakery on the Calle Lerma. Every morning Manuel would buy from him some fresh warm bread, but one time el Barbudo (the poet, whose nickname was "the beard") found himself out of his job at El Intransigente, the newspaper where he worked, so he stopped his morning visits to the shop. Nevertheless, after a little time, that Riera fellow personally began to bring him his morning bread. Manuel told him that he couldn't accept it because he wasn't able to pay him--and do you know how Rierita answered him? 'Before, when you could, you'd come to me to buy the bread, but now that you can't, it is my obligation to bring it to you each morning.' Look at that philiosophy."

(Note: The second figure is Themis Riera, Juan's daughter, who tells the story on El Blog de Themis.)

Monday, July 06, 2009

Analect 2.525x



6 July 2009. Sunshine announcing itself even at dawn, silver and blue-green ripples on face of pool, fragment of shamrock pennant from weekend festivities... Churning swimmers, depart and return...

Latinate possibilities. As in the wry and tender words of Jaime Dávalos, from his Cancionero, about the origins of La Candelaria: "...Nació una zamba, una tarde, de esas que yapan con el alba, en lo de Poncho Marrupe; en la vieja casa de la finca La Candelaria, delicioso paraje del Valle de Lerma, sobre las regueras del Río de Arias, allá...entre algorrobos y talares, tuscas y sauces playeros; donde en la umbria del monte se oye el moroso canto del zorzal en contrapunto con el isócrono lamento del crespín..."

“A zamba was born late one evening, one of those songs that come with the dawn, at Poncho Marrupe’s place, in the old house on the country estate, La Candelaria, a delicious spot in the Valley of the Lerma, on the waterways of the Río de Arias, yes, there…amidst native trees—the algorrobos and talares, tuscas and streamside willows; where in the shade of the woods one can hear the delayed call of the thrush, in counterpoint to the isochronous lament of the crespín…”


(Note: The crespín—tapera naevia, or striped cuckoo. An Argentine folk story about this bird tells of a woman calling out for the husband she has lost... It's a bit more complex, however: he's described as ever hard-working, whereas she loves to party. In his hour of need, the wife abandons him for several days of dancing and drinking and song, returning only after he’s passed on. But in her loneliness, like the crespín, she spends the rest of her days calling out...)

Friday, July 03, 2009

Analect 2.524x



3 July 2009. Gray morning, mild...

Mother and daughter across the way, hand and hand for just a few steps, then turning to cross the street. The normal accoutrements--her toussled hair, mild face, the child's hands one upon the other, as with an acolyte in a Taoist shrine somewhere in the Heng Shan. Everything balanced on tall red poles, tucked unevenly into face of yellow cliff. Jutting roofs with ashen blue-gray tiles. Two small figures make the ascent, their hands on a narrow parapet. Only one looks back...